2018 Publications
The combined use of Raman and µ-XRD analysis in the study of archaeological glass beads.
Mafalda Costa, Ana Margarida Arruda, Luís Dias, Rui Barbosa, José Mirão, Peter Vandenabeele
DOI: 10.1002/jrs.5446
Inorganic nanomaterials for restoration of cultural heritage: synthesis approaches towards nano‐consolidants for stone and wall paintings.
Penka Ilieva Girginova, Cristina Galacho, Rosário Veiga, António Santos Silva, António Candeias
DOI: 10.1002/cssc.201801982
Production of Antagonistic Compounds by Bacillus sp. with Antifungal Activity against Heritage Contaminating Fungi.
Mara Silva, Tânia Rosado, Marina Gonzalez-Pérez, Débora Gobbo, Dora Teixeira, António Candeias and Ana Teresa Caldeira
DOI: 10.3390/coatings8040123
Natural limestone discolouration triggered by microbial activity - a contribution.
Luís Dias, Tânia Rosado, Ana Coelho, Pedro Barrulas, Luís Lopes, Patrícia Moita, António Candeias, José Mirão, Ana Teresa Caldeira
DOI: 10.3934/microbiol.2018.4.594
An integrated safeguard project: Preservation and communication strategies of altarpieces integrated in hermitages.
Virgínia Glória Nascimento, Fernando António Baptista Pereira, António Candeias, Alice Nogueira Alves
DOI: 10.14568/cp2017041
Analytical characterization of the palette and painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting workshop.
Vanessa Antunes, António Candeias, José Mirão, Maria L. Carvalho, Cristina Barrocas Dias, Ana Manhita, Ana Cardoso, Maria J.Francisco, AlexandraLauw, MartaManso
Spectrochimica Acta - Part A: Molecular and Biomolecular Spectroscopy
DOI: 10.1016/j.saa.2017.12.027
Multi-analytical study of ceramic pigments application in the study of Iron Age decorated pottery from SW Iberia.
Lúcia Rosado, Jolien Van Pevenage, Peter Vandenabeele, António Candeias, Maria da Conceição Lopes, Deolinda Tavares, Rafael Alfenim, Nick Schiavon, JoséMirão
Measurement: Journal of the International Measurement Confederation
DOI: 10.1016/j.measurement.2017.05.016
On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop.
Vanessa Antunes, António Candeias, José Mirão, Maria L.Carvalho, VitorSerrão, Cristina Barrocas Dias, Ana Manhita, Ana Cardoso, Marta Manso
DOI: 10.1016/j.microc.2018.01.018
Use of Monte Carlo Simulation as a Tool for the Nondestructive Energy Dispersive X-ray Fluorescence (ED-XRF) Spectroscopy Analysis of Archaeological Copper-Based Artifacts from the Chalcolithic Site of Perdigões, Southern Portugal.
Carlo E. Bottaini, Antonio Brunetti, Ignacio Montero-Ruiz, Antonio Valera, Antonio Candeias, José Mirão
DOI: 10.1177/0003702817721934
2017 Publications
Microorganisms and the integrated conservation-intervention process of the renaissance mural paintings from Casas Pintadas in Évora – Know to act, act to preserve.
Tânia Rosado, Mara Silva, Luís Dias, António Candeias, Milene Gil, José Mirão, José Pestana, Teresa Caldeira
Journal of King Saud University - Science
DOI: 10.1016/j.jksus.2017.09.001
Green mitigation strategy for cultural heritage: bacterial potential for biocide production.
Mara Silva, Tânia Rosado, Dora Teixeira. António Candeias, Ana Teresa Caldeira
Environmental Science and Pollution Research
DOI: 10.1007/s11356-016-8175-y
Micro‐Raman spectroscopy and complementary techniques (hXRF, VP‐SEM‐EDS, μ‐FTIR and Py‐GC/MS) applied to the study of beads from the Kongo Kingdom (Democratic Republic of the Congo).
Alessia Coccato, Mafalda Costa, Anastasia Rousaki, Bernard‐Olivier Clist, Karlis Karklins, Koen Bostoen, Ana Manhita, Ana Cardoso, Cristina Barrocas Dias, António Candeias, Luc Moens, José Mirão, Peter Vandenabeele
DOI: 10.1002/jrs.5106
Dual phylogenetic staining protocol for simultaneous analysis of yeast and bacteria in artworks.
Marina González-Pérez, Catarina Brinco, Ricardo Vieira, Tânia Rosado, Guilhem Mauran, António Pereira, António Candeias, Ana Teresa Caldeira
Applied Physics A: Materials Science and Processing
DOI: 10.1007/s00339-016-0725-0
On the conservation of easel paintings: evaluation of microbial contamination and artists materials.
Cátia Salvador, Rui Bordalo, Mara Silva, Tânia Rosado, António Candeias, Ana Teresa Caldeira
Applied Physics A: Materials Science and Processing
DOI: 10.1007/s00339-016-0704-5
The comparative study of four Portuguese sixteenth-century illuminated Manueline Charters based on spectroscopy and chemometrics analysis.
Catarina Miguel, Cristina Barrocas-Dias, Teresa Ferreira, António Candeias
Applied Physics A: Materials Science and Processing
DOI: 10.1007/s00339-016-0659-6
Archaeometric contribution to the interpretation of the late bronze age “hoard” from Porto do Concelho (Mação, central Portugal).
Mediterranean Archaeology and Archaeometry
Carlo Bottaini, Raquel Vilaça, Ignacio Montero-Ruiz, José Mirão, António Candeias
DOI: 10.5281/zenodo.400779
Innovative approaches for immunodetection of proteic binders in art.
Cátia Salvador, A. Branco, António Candeias e Ana Teresa Caldeira
DOI: 10.18236/econs5.201708
Investigation of surface silver enrichment in ancient high silver alloys by PIXE, EDXRF, LA-ICP-MS and SEM-EDS.
Rui Borges, Luis Alves, Rui Silva, Maria Araújo, António Candeias, Victoria Corregidor, Pedro Valerio, Pedro Barrulas
DOI: 10.1016/j.microc.2016.12.002
Charola do Convento de Cristo em Tomar: matéria e técnica das pinturas murais do octógono central (novas perpectivas), In Charola de Tomar, novos dados, novas interpretações. Eds. Irene Frazão e Luis Afonso.
Milene Gil, Luis Dias, Ana Cardoso, Catarina Miguel, Ana Manhita, Sérgio Monteiro, Cristina Dias, José Mirão, António Candeias
Direcção Geral do Património Cultural
ISBN: 978-972-776-490-7, pp. 84-109
2016 Publications
On the Chemical Signature and Origin of Dicoppertrihydroxyformate (Cu2(OH)3HCOO) Formed on Copper Miniatures of 17th and 18th centuries.
Alfredina Veiga, Dora Teixeira, António Candeias, José Mirão, Paulo Simões Rodrigues and Jorge Teixeira
DOI: 10.1017/S1431927616011636
A first insight on the biodegradation of limestone: the case of the World Heritage Convent of Christ.
Tânia Rosado, Mara Silva, Andreia Galvão, José Mirão, António Candeias, Ana Teresa Caldeira
Applied Physics A: Materials Science and Processing
DOI: 10.1007/s00339-016-0525-6
Uncover the mantle: rediscovering Gregório Lopes palette and technique with a study on the painting "Mater Misericordiae".
Vanessa Antunes, António Candeias, Maria J. Oliveira, Maria L. Carvalho, Cristina Barrocas Dias, Ana Manhita, Maria J. Francisco, Sónia Costa, Alexandra Lauw, Marta Manso
Applied Physics A: Materials Science and Processing
DOI: 10.1007/s00339-016-0481-1
Experimental Research with Salt Crystallisation in Historical Portuguese Azulejos.
Lurdes Esteves, António Estêvão Candeias e João Manuel Mimoso
International Journal of Architectural Heritage
DOI: 10.1080/15583058.2015.1124301
A bridge between liquid–liquid extraction and the use of bacterial communities for palladium and platinum recovery as nanosized metal sulphides.
Ana Assunção, Ana Matos, Ana Rosa da Costa, António Candeias, Maria Clara Costa
DOI: 10.1016/j.hydromet.2016.03.012
New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical technique.
Sara Valadasa, Rita Freire, Ana Cardoso, José Mirão, Peter Vandenabeele, Joaquim Oliveira Caetano, Aantónio Candeias
DOI: 10.1016/j.micron.2016.03.004
'How did they do it?' The mural painting workshop at the Convent of São Bento de Cástris' In Do Espirito do Lugar-Musíca, Estética, Silêncio, Espaço, Luz. Ed. Antónia Fialho Conde e António Camões Gouveia.
Milene Gil, Joana Costa, Luis Dias, Antonio Candeias e José Mirão
‘José de Escovar at the chapel of the souls: technical and material study of a 1603 panel painting’
Milene Gil, Catarina pereira, Cátia Relvas, Margarida Nunes, Sofia Pessanha, Ana Cardoso, Vanessa Antunes, Patricia Monteiro, Teresa Ferreira,
Colour research and Application Vol.41, issue 3, 2016, 252-257
DOI: 10.1002/col.22031
‘Multi-analytical approach to the material characterization of 16th century wall paintings from Ribeira Sacra, Galicia, NW Spain): pictorial palette, technique and alterations’
Lucia P. Pardo, Milene Gil, Beatriz Prieto and Benita Silva
Colour research and Application Vol.41, issue 3, 2016, 263-269
DOI: 10.1002/col.22029
‘An unusual mural paintings at the Charola of the Convent of Tomar: Red Lakes and organic binders’
Ana Manhita, Sergio Martins, Cristina Barrocas Dias, Ana Cardoso, António Candeias and Milene Gil
Colour research and Application Vol.41, issue 3, 2016, 258-262
DOI: 10.1002/col.22009).
‘Tracking old and new colors: material study of an 16th century mural paintings from Évora Cathedral’
Yigit Helvaci, L.Dias, A. Manhita, S. Martins, Ana Cardoso, António Candeias and Milene Gil
Colour research and Application Vol.41, issue 3, 2016, 276-282
DOI: 10.1002/col.22040