COLOR Research and Application Jornal (special issue of COLOURS2015)
| "Multi-analytical approach to the material characterisation of 16th century wall paintings from Ribeira Sacra, Galicia, NW Spain: pictorial palette, technique and alterations" (DOI: 10.1002/col.22029).
Lucia P. Pardo, Milene Gil, Beatriz Prieto and Benita Silva. |
| "An unusual mural paintings at the Cahrola of the Convent of Tomar: Red Lakes and organic binders" (DOI: 10.1002/col.22009).
Ana Manhita, Sergio Martins, Cristina Barrocas Dias, Ana Cardoso, António Candeias and Milene Gil. |
| "José de Escovar at the chapel of the souls: technical and material study of a 1603 panel painting" (DOI: 10.1002/col.22031).
Milene Gil, Catarina Pereira, Cátia Relvas, Margarida Nunes, Sofia Pessanha, Ana Cardoso, Vanessa Antunes, Patricia Monteiro, Teresa Ferreira. |
| "Darkening on lead based pigments: microbiological contribution" (DOI: 10.1002/col.22014).
Tânia Rosado, Milene Gil, José Mirão, António Candeias and Ana Teresa Caldeira. |
| "Tracking old na new colors: material study of na 16th century mural paintings from Évora Cathedral (Southern Portugal)" (DOI: 10.1002/col.22040).
Yigit Helvaci, L.Dias, A. Manhita, S. Martins, Ana Cardoso, António Candeias and Milene Gil. |
| "Gilders and painters-gilders in the Golden Age of Évora"
Antónia Fialho Conde, Custódia Araujo and Milene Gil. Conservar Património magazine, 22, pp.59-66. (DOI: 10.14568/cp2015016). |
| "Calcium sulfate fillers and binders in Portuguese 15th and 16th centuries: ground layers from a family painting workshop-study by multianalytical spectroscopic techniques"
Vanessa Antunes, António Candeias, Maria José Oliveira, Mercês Lorena, Ana Isabel Seruya, Maria Luisa de carvalho, Milene Gil, José Mirão, João Coroado, Virginia Gomes, Vitor Serrão. Microchemical Journal 125 (2015), pp.290-298. (DOI: 10.1016/j.microc.2015.11.042) |
| "Microscopy and Microanalysis of an extreme case of salt and biodegradation in 17th century Wall Paintings"
Milene Gil, Maria Rosário Martins, Maria Luisa de Carvalho, Cátia Souto, Stephane Longelin, Ana Cardoso, José Mirão and António Candeias. Microscopy and Microanalysis, vol21, Issue03, June2015, pp.606-616. (DOI:10.1017/S1431927615000562) |
| "Are they fresco paintings? Technical and material study of Casas Pintadas of Vasco da Gama House in Évora (Southern Portugal)"
Milene Gil, Tania Rosado, Isabel Ribeiro, José Pestana, Ana Teresa Caldeira, Maria Luisa de Carvalho, Luis Dias, José Mirão and António Candeias X-Ray Spectrometry, Volume 44, Issue 3, page 154-162, May/June 2015. (DOI: 10.1002/xrs.2593) |
| Restauro storico e sacrae imagines em Évora sob o governo do Arcebispo D. Teotónio de Bragança (1578-1602)
Vitor Serrão Archivo Espanol de Arte |
| "Technical Photography for mural paintings: the newly discovered frescoes in Aci Sant'Antonio (Sicily, Italy)"
A.Cosentino, M.Gil, M. Ribeiro, R. Di Mauro. Conservar Património, 20, 23-33 |
| "Material characterization and biodegradation assessment methodology of mural paintings – application to the renaissance frescoes from Santo Aleixo church, southern Portugal"
Tânia Rosado, Milene Gil, Ana Teresa Caldeira, Maria Rosário Martins, Cristina Barrocas Dias, Luisa de Carvalho, José Mirão and António Estevão Candeias. International Journal of Architectural Heritage, 8, pp.1–18. |
| "Oxalate biofilm formation in mural paintings due to microorganisms - a comprehensive study"
T. Rosado, M. Gil, J. Mirão, A. Candeias and A.T. Caldeira. International Biodeterioration & Biodegradation, 85, 1-7. |
| "A multi-analytical study of the 15th century mural paintings of the Batalha Monastery (Portugal) in view of their conservation".
S. Valadas, A. Candeias, L. Dias, N. Schiavon, J. Pestana, M.Gil, J. Mirão. Applied Physics A, 12/2013 (DOI:DOI 10.1007/s00339-013-7727-y). |
| "Artistic manifestations as a means of connection to the worls outside the cloister: mural paintings in the Monastery of São Bento de Cástris".
Antónia Fialho Conde. In press, E-conservation Journal (special issue of PRIM’ART Seminar). (DOI: 10.18236/econs4.201505) |
| "Documental survey of projet PRIM’ART_Portugal Rediscovering Mural Art: Historical and Scientific Study of Évora Archiespiscopal"
Custódia Araujo, Antónia Conde and Milene Gil. In press, E-conservation Journal (special issue of PRIM’ART Seminar). (DOI: 10.18236/econs4.201505) |
| "The painted angels from the central drum of the Tomar Convent of Christ Rotunda-first results of the material and technical comparative study".
Milene Gil, J.A. Pestana, Catarina Miguel, Ana Manhita, Luis Dias, Ana Cardoso, José Mirão e António Candeias. In press, E-conservation Journal (special issue of PRIM’ART Seminar) (DOI: 10.18236/econs4.201510) |
| "The ingenious art of deception: decorative techniques involving lime plaster mixtures in the grotto of the Ducal Palace in Vila Viçosa"
Patricia Monteiro. In press, E-conservation Journal (special issue of PRIM’ART Seminar) (DOI: 10.18236/econs4.201508) |
| "The birth of a painter: Estevão Tomás and the great works of the Manueline/
Johannine period in Évora"
Vitor Serrão and Antónia Fialho Conde. In revision, E-conservation Journal (special issue of COLOURS2015) |
| "A casa de fresco de Sanches de Baena (parte 2): diagnóstico de anomalias, suas causas e efeitos".
Milene Gil, Rosário Martins, Maria Luísa de Carvalho, Cátia Souto, Luís Dias, Stephane Longelin, Ana Cardoso, José Mirão e António Candeias. Callipole, 21, pp.247-259. |
Book / Book Chapters
| "'How did they do it?' The mural paintings workshop at the convent of São Bento de Cástris." In Do Espirito do Lugar-Musíca, Estética, Silêncio, Espaço, Luz. Ed. Antónia Fialho Conde e António Camões Gouveia. Publicações CIDEHUS 2016.
Milene Gil, Joana Costa, Luis Dias, António Candeias and José Mirão. Open Edition |
| "Arte, Religião e Imagens em Évora no tempo do Arcebispo D. Teotónio de Bragança, 1578-1602".
V. Serrão. Fundação da Casa de Bragança, Várzea da Rainha Impressores, S.A, 1º Edição. |
| "INICI(AR)3 - INiciação à INvestigação Científica aplicada às ARtes, ARqueologia e ARquitetura in Experiências De Inovação Didática no Ensino Superior".
Teresa Ferreira. Ministério da Educação e Ciência, A.Ferrari, C.A.V. Costa, F. Remião, M.A. Ferreira, R. Cadima (Editores), 2015, pp.15, ISBN: 978-972-729-087-1. |
| "A Ciência ao serviço da arte In As Casas pintadas em Évora". (Estudo Material e de biodegradação das pinturas murais das Casas Pintadas', 'As Casas pintadas em Évora and Estudo Técnico das pinturas murais das Casas Pintadas').
Tânia Rosado e Milene Gil, Ana T. Caldeira, José Artur Pestana, Maria Oliveira, José Mirão e António Candeias Edição Fundação Eugénio de Almeida, Évora, 2014 |
| "Study of mural paintings of Évora in frames of PRIM’ART project".
Elisaveta Demidova. Laboratory Report. Introduction to Thesis I, ARCHMAT ERASMUS MUNDUS MASTER in Archeological Materials Science, 2015-2016. |
| Projecto Património Activo - Relatório Final
Manuel Mantua |
| Non invasive and microanalytical approaches for conservation diagnosis and study of mural paintings
Yiğit Zafer Helvaci |
| Sacristia Nova da Igreja do Colégio do Espirito Santo: Diagnóstico e proposta de intervenção para a conservação e restauro das pinturas murais e ornamentos de massa. (Preliminar report)
Milene Gil |
| Casa de Fresco dos Sanches de Baena: Estudo técnico e de Diagnóstico das pinturas murais. (Preliminar report)
Milene Gil |
| Laboratory and In situ Analysis of Mural Paintings in Support of PRIM’ART project
Whitney Jacobs. Introduction to Thesis I, ARCHMAT ERASMUS MUNDUS MASTER in Archeological Materials Science, 2015-2016. |